The Fujifilm GFX100 II brings a new blazingly fast 102-megapixel large-format sensor to deliver up to 8fps in high-speed continuous mode, surgically accurate subject detection and tracking AF, and advanced video features that have never existed in any previous GFX System or X Series camera. Upgraded AI-developed autofocus algorithms and a new 9.44-million dot EVF bring the action accurately into view for photographers, while full-width 4K/60p, 4:2:2 ProRes video and accessory-free delivery of files to Frame.io directly from the camera, give filmmakers access to new streamlined workflows and the ability to immediately collaborate with project team
members.
The GFX100 II’s new 102MP sensor and X-Processor 5 combination deliver astounding performance when it is needed most. Enhancements to autofocus algorithms, now incorporating internal subject detection propelled by artificial intelligence, allow photographers and filmmakers to accurately track moving subjects and create 102MP images at up to 8fps using the camera’s high-speed mechanical shutter, or to record 4K/60p video at the full width of GFX100 II’s massive 55mm* imaging sensor. An updated 9.44M dot EVF with 120fps live view and 5.3fps of blackoutfree, (8.7fps of blackout-free in 35mm format mode) continuous shutter use, also helps photographers stay close to the action, frame by frame, while internal in-body image stabilization (IBIS) provides up to 8-stops of stability to help transform the way any professional will make their next great image and share their next great story.
Internally record 4:2:2, 10-bit Apple ProRes, or use HDMI to record 12-bit 4:2:2 Apple ProRes RAW or Blackmagic RAW in resolutions of up to 8K/30p, or, at the full width of GFX100 II’s massive 55mm1 sensor, at 4K/60p, for a seamless transition from creative vision to postproduction. Accelerate a project’s delivery to color grading workflows in Da Vinci Resolve or Adobe Premiere Pro without any need to transcode Original Camera Files (OCF) before editing.
The GFX100 II provides specified crops and aspect ratios for multiple cinema formats, which includes full-width GF Format, FUJINON PREMISTA (Vista Vision), and 35mm. With a basic GF to PL adapter, cinematographers anywhere can now use GFX100 II’s 55mm large-format imaging sensor with some of the world’s most legendary cinema optics, including Fujifilm’s collection of FUJINON PREMISTA and CABRIO Zoom Lenses. For storytellers with wider aspirations, GFX100 II offers two different high-resolution 35mm Anamorphic recording modes that provide various de-squeeze monitoring options in-camera.
